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Home Tonewoods | Soundboards

Tonewoods | Soundboards

Tonewoods | Soundboards

ADIRONDACK SPRUCE

Adirondack Spruce is an iconic wood heralded as a foremost among top woods. It has more overall resonance than Sitka, loud and powerful with a focused punchy bass.

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GERMAN SPRUCE

Known for its creamy white appearance, German Spruce possesses almost the same tonal characteristics as Adirondack; clear, focused, tight bass response but less bright.

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SITKA SPRUCE

Probably the hardest of the woods used in the manufacture of soundboards, Sitka Spruce produces a loud and bright tone, accentuating the basses and trebles – qualities that made it a popular choice.

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SWISS SPRUCE

Aside from its beautiful creamy appearance, Swiss Spruce is highly regarded for its responsiveness and rich tone, with very focused low ends and very refined clear trebles.

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ENGELMANN SPRUCE

A lighter colored wood than Sitka Spruce, Engelmann Spruce shares the same tonal characteristics as a Sitka only with richer overtones and more focused mids.

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LIJIANG SPRUCE

Used for centuries in traditional Chinese instruments, Lijiang grow slowly near the Tibetan Plateau. Featuring very tight grains, it has a Lucchi speed that exceeds 6000 m/s – highly responsive making it ideal as tops.

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SINKER REDWOOD

Taken from reclaimed old-growth redwood logs, Sinker Redwood display a rich spectrum of variegation. Its age translates into a nice cross-grain stiffness giving it a bold response and brilliance with warm overtones.

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WESTERN RED CEDAR

Western Red Cedar is a soft wood which produces a warm, mellow, ‘earthy’ tone. Used for many years for classical guitar soundboards but has recently become popular with steel strings players.

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DOUBLE TOP

A soundboard made from two tops with Nomex Honeycomb at its core, is known for its lightness and strength; a very responsive top with enhanced sustain, projection, and clarity.

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HIMALAYAN HEMLOCK

Extremely rare and found only in the Himalayas, these slow growing trees yield grain and color similar to cedar but are 10% stiffer than Sitka. One can only imagine the headroom it gives especially when strummed.

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PORT ORFORD CEDAR

Rarely seen in standard builds, Port Orford Cedar is highly sought after for its bold, robust, and responsive tone, making it an excellent choice for both nylon and steel stringed instruments.

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PACIFIC REDWOOD

Favored by players looking for more upper harmonic content while having warm and tight low ends, Pacific Redwood is bold, punchy and crisp, with loads of overtones on tap.

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TORREFIED WOOD

A wood that was subjected to a thermo-curing process to replicate the cellular structure of an old wood, increasing its resonance and responsiveness while making it more resistant to swelling and shrinking.

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KHAYA MAHOGANY

Khaya Mahogany is a hard, bright sounding wood with focused mids. With its wide dynamic range, it responds very well to both sensitive playing and louder, percussive styles.

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PACIFIC KOA

Koa is a beautiful figured wood, dark brown in appearance with blonde streaks. Tonally, it combines the clarity of a maple with rosewood-like qualities and the sensitivity of mahogany.

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MANGO

Expressive and gorgeous, Mango presents a perfectly balanced tone with a warmth close to a koa matched with very focused mids and highs.


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